Supermodel: Visible Comparison of Cindy Sherman’s and Marlene Dumas Essay

Aesthetic comparison of Cindy Sherman's ‘Untitled 424' and Marlene Dumas' ‘Supermodel'

A clown's id is trivial, they are unknown. However despite their performance are they actually as psychotically happy as them seem? Bruce Charlie Meeks a clown expert said ‘they may contain overstated traits in their personalities, one particular he wishes he had and ones this individual has seen in others' Cindy Sherman is definitely fascinated with putting on a costume, disguise and borrowed identities. She has often refused to let anyone else become one of her models. In an interview intended for the Tate magazine with Betsy Trompe she said: ‘Once My spouse and i paid an assistant. Although even when I used to be paying somebody, I even now wanted to rush through and get them out from the studio. My spouse and i felt like I used to be imposing on them. Also, I got the feeling that they can were having a great time, to a certain extent, thinking this was like Halloween, or playing dress-up. I also realised which i myself don't know exactly what I need from a picture, so it's hard to state that to somebody else -- anybody different. When I am just doing it me personally, I'm really just using the mirror to summon something I may even understand until I realize it. ' Despite employing herself in her work she promises ‘ My spouse and i don't perform self images, infact We try to get since far away from myself as is feasible, it could be by doing this though that I create a do it yourself portrait'[1]

The fear of the traditional clown's cosmetic is widely recognized. Coulrophobia, the fear of clowns comes from the Greek expression koulon (limb) and related derivatives advise stilts and stilt-walking, for example: the Traditional kolobathristes means ‘one who have goes on stilts'. However only some clowns walk on stilts, and most affected individuals seem to consent that it is precisely what is hidden underneath the heavy make-up and the halloween costume that they dread the most. In ‘Untitled 424' the hyperbole of the long painted teeth of the clown ‘suggests vampirism'[2], the sunken eye adds interesting depth to the photo. There is this sense of underlying sadness about the clown inspite of...



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